In the past few weeks I've had the chance to experience two very different forms of German theatre. The first was a French tale told through puppets and speech, while the second was a retelling of the Grimm brothers' history, coincidently also relying heavily on the use of puppetry. I'll give a short summary of each experience, both were wonderful and challenging and something new for me!
On Thursday the 30th of January I went along with Laura and Rhi to the PuK museum in Bad Kreuznach to experience puppet theatre for the first time. The theatre is located in the puppet museum in Bad Kreuznach which I vaguely remember visiting when I was here in 2006. The auditorium is small but was sold out for this first viewing and the stage offered the actors the chance to be both characters in the play as well as the main puppeteers. There were two actors, a man and a woman who served as the framework story. The woman became an Esmerelda parallel, selling her wares in the form of tourist souvenirs in front of Notre Dame in Paris. The Quasi Modo figure was then portrayed by a priest who came to her stall every morning to buy the newspaper without ever saying a word to her. At first this scenario appeared strange but then after the introduction the actors shifted roles and began expertly controlling a series of puppets across the stage to tell the Quasi Modo story in full. Below is Esmerelda and Quasi as they meet for the first time. The illusion of seeing the puppeteers and hearing their controlled voices didn't at first work, but then I realised that you have to focus on the puppets themselves and ignore what the humans are doing behind them. Once I'd figured that out, I began to appreciate the skilful control of their movements and just how realistic the =y appear when they move and express themselves. The destructive end of the framed narrative then foreshadowed the conclusion of the framing narrative and whether it was due to a lack of linguistic comprehension or just a general lack of comprehension, I was a bi baffled by the sudden jump to the 'real world' and the kiss which abruptly ended the play. I asked the German students we were with and there seemed to be a general confusion so I felt a bit better after that! All in all for my first full length puppet play, I was very impressed and enjoyed the experience!
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| Notre Dame |
The structure allocated a fairytale to each member of the Grimm family (a mother and six children, 5 sons and one daughter) and as the story of their lives progressed interjections would be made and suddenly we were following the path of Red Riding Hood, Sleeping Beauty, Rumpelstilskin or Hansel and Gretel, all sufficiently dark and horrifying when in context of the Grimm family history. The play then moved on from the fairytales into the dictionary which was the first complied on such a scale in the German language. It was never published in its entirety in the brothers' lifetimes, taking up until well into the 20th century, circa Berlin Ball era, for all volumes to reach the shelves. This massive linguistic undertaking effectively killed off the Grimm brothers but what was clear in the play was that they never gave up on their imaginations and dared to dream that something so unthinkable as a record of every single word in the before broken up and divided German language, was not only achievable but was central to the continuation of the aim of bringing unity to a divided and disjointed culture. They sought to unite Germany under a sense of national heritage and cultural history in the form of their fairytales, taking well-known word of mouth stories and writing them down and then their dictionary continued this unification by adding the solidity of language to the fantasy of ideal.
This is taken from a wonderful scene in the play where the audience is looking at the house as it stands through the roof effectively and the actors are either standing or lying on their side to give the illusion that we are looking down on them. This demonstrated the wonderful construction to the play and added to the overall excitement.
In terms of puppetry this clip and this image give you a sense of the play's use of smaller figures to demonstrate the whole and the building of the larger puppet figure became a parallel for the brining together of a nation in their "fairytale workshop".
Overall I enjoyed both my theatre experiences and I intend to head back as soon as I can!


